Fleda wondered, but she also smiled. "To-night—to-morrow?" CHAPTER XVI!

"I don't think she'll do that." Fleda vaguely demurred. "His dreadful quarrel?"

"Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. She felt sick; she sank upon a seat, staring up at him. "Do you mean that great house is lost?" Ten days after his visit she received a communication from Mrs. Gereth—a telegram of eight words, exclusive of signature and date. "Come up immediately and stay with me here"—it was characteristically sharp, as Maggie said; but, as Maggie added, it was also characteristically kind. "Here" was an hotel in London, and Maggie had embraced a condition of life which already began to produce in her some yearning for hotels in London. She would have responded in an instant, and she was surprised that her sister seemed to hesitate. Fleda's hesitation, which lasted but an hour, was expressed in that young lady's own mind by the reflection that in obeying her friend's summons she shouldn't know what she should be "in for." Her friend's summons, however, was but another name for her friend's appeal; and Mrs. Gereth's bounty had laid her under obligations more sensible than any reluctance. In the event—that is at the end of her hour—she testified to her gratitude by taking the train and to her mistrust by leaving her luggage. She went as if she had gone up for the day. In the train, however, she had another thoughtful hour, during which it was her mistrust that mainly deepened. She felt as if for ten days she had sat in darkness, looking to the east for a dawn that had not yet glimmered. Her mind had lately been less occupied with Mrs. Gereth; it had been so exceptionally occupied with Mona. If the sequel was to justify Owen's prevision of Mrs. Brigstock's action upon her daughter, this action was at the end of a week as much a mystery as ever. The stillness, all round, had been exactly what Fleda desired, but it gave her for the time a deep sense of failure, the sense of a sudden drop from a height at which she had all things beneath her. She had nothing beneath her now; she herself was at the bottom of the heap. No sign had reached her from Owen—poor Owen, who had clearly no news to give about his precious letter from Waterbath. If Mrs. Brigstock had hurried back to obtain that this letter should be written, Mrs. Brigstock might then have spared herself so great an inconvenience. Owen had been silent for the best of all reasons—the reason that he had had nothing in life to say. If the letter had not been written he would simply have had to introduce some large qualification into his account of his freedom. He had left his young friend under her refusal to listen to him until he should be able, on the contrary, to extend that picture; and his present submission was all in keeping with the rigid honesty that his young friend had prescribed.